Artist's Statement
C h a r l e n e D o i r o n R e i n h a r t
Clay
is a challenging, resilient and lively medium. It responds to the
touch in an immediate and spontaneous way that appeals to my senses.
Each form changes and fluxes in appearance from the time it exists as
a sketch to its last firing. The challenge is allowing for the
accidents. Every fracture, crack and mark activates the surface. It
is the written dialogue between the medium and myself.
Much
of my work examines the innate beauty of nature versus the cosmetic
intervention of people. My cultural sense of belonging is grounded in
that every object has a meaningfulness or spirit. Every rock, every
tree, every element contributes to our connection to this world and
keep us rooted to an ancestral past. With
the small figures,
I am interested in their talismanic
aspect and iconic relationship with the world at large. They can
symbolize the preciousness, wonder or intimacy that is set aside and
lost from our everyday adult life. The
portrait busts are more
inclined
to a
broader
narrative
and
symbolic interpretation.
The
meaning
of faith, belief, fortune, chance and life's
ironies
weave in and out. This adds a sense of mystery and
innate
connection
to
the
multicultural landscape of
the human figure.
I
enjoy the process of rolling out coils of clay. All my work begins
with this meditative ritual. I begin from the bottom up, row by row,
shaping as I go. I will leave areas that strongly identify the form
to its media. Other areas are smoothed for an application of terra
sigillata along with layers of colored slips and oxide stains.
Focusing on the textual qualities of clay, slips, and glazes allows
the surface treatment to inform the work, adding its own dialect.
This process of firing and adding color continues until the piece
feels complete and can speak for itself.
Born
in the middle of the United States, I am half Japanese and half
Cajun. My mother was half a continent and an ocean away from her
rising sun. My father was in the army and stationed every where
except his home state of Louisiana. My influences come from this
mixture of East meets West. Shinto and Roman Catholic. Japanese
spirits and bayou ghosts. Teacups and chalices. Tied together with
joyous humor and quiet rituals.
Dear charlene, i have three of your wonderful woman all bought at the healdsburg gallery.do you have studio visits ever? I use to show at the gallery too then decided to leave.im not great group person.all your pieces are in my bedroom and give me great comfort,i,m looking at the girl with thorns in her neck,woman withe hare face and ears and my first piece ateapot with a ladt with a fingerless black glove and lily.i now live at the beach at the mouth of the smith river.thank you so much for your wonderful work kim@wildalive.com or 707 457 7199
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