edging along in clay
Feeling a little bit edgy about the holiday markets. So much left to do. One thing after another pushed my studio timeline so that it is wavy instead of straight. I guess wavy is better than broken.
There is this bowl. A very small bowl. A very simple bowl that I love. It was a test bowl for a creamy, buttery glaze on reddish earthenware. I learned a lot of different things with this bowl. It has made its own history. I used the glaze on some simple slab plates for displaying my ceramic pears. They were sold together with great success. Something functional with something non-functional. What a pair!
We keep missing the point, despite divine intervention from our patron saints. On the well-paved road to life, we're hunched over the wheel, traveling at a high rate of speed, following the red taillights of the cars in front of us hell-bent on some distant destination. Life is not up ahead of us in the windshield; nor is it behind us in the rearview mirror. It's here and now, in the car, on the road as we go, fast or slow.
~from Seeds by Richard Horan
That brick of clay I had couple of weeks has soften enough for me to wedge into 1 pound balls. My tabletop and rolling pin is my slab roller of only choice. I slam the clay onto the table a couple of times until about 1" thick and then I use the rolling pin to get it down to about 1/2". It's pretty effective for what I want to do. I wanted to have some thick slightly curved, scalloped plates. Really edgy.
In the meanwhile, the kiln is cooling and I need to figure out how to get the red on the pomegranate. I layered on some terra sig at leather-hard stage and buffed. It is a little purplish, but will make a good foundation for later after bisque firing to a soft cone 010.